The idea: “A broke dog walker finds a bag with two million dollars in it.”
Finally write the movie in your head.
Turn your idea into a real screenplay.
Free to start.
Idea. Choose. Script.
What does she do with the money?
INT. MAYA’S APARTMENT — NIGHT
A studio held together by duct tape and dog hair. Six leashes on a hook. A FINAL NOTICE taped to the fridge.
MAYA (29) drops a muddy gym bag on the kitchen table and unzips it.
Two million dollars in banded hundreds.
She tears the FINAL NOTICE off the fridge. Peels off one hundred. Then another.
MAYA
Finders keepers.
She laughs. Then she closes the blinds.
A KNOCK at the door.
Meet Brad.
Your script consultant. He reads every page, and he has notes.
I have notes.
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A note
The opening is all mood. Give Nora a reason to look twice at that photograph on page one.
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Continuity
You made the photographer Nora’s grandfather. Scene 4 still has them meeting for the first time.
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Milestone
Act I is on the board.
The trap is set. Nobody gets to go home now.
Meet your cast.
Characters on cards you can shape.
Story synopsis
Detective Nora Vance finds the same man in a grey overcoat behind the police tape in 1974 and again this morning. With archivist Ollie Reyes she learns that every photograph he appears in was taken exactly seven days before someone died. When he turns up in a picture of her own precinct, Nora has a week to learn who the warning is for, and whether a person can step out of the frame.
Nora Vance
Protagonist
Homicide detective, forty-four. Photographs every scene herself and has never once missed a face.
Ollie Reyes
Supporting
County archivist, sixty-eight, retiring on Friday. Knows where every file is buried and most of the reasons why.
The Man in the Grey Coat
Antagonist
Never older, never closer. He appears only through a lens, and only seven days early.
See the whole story.
Acts, scenes, and beats in one outline.
Act I
- 1Two Photographs
- 2Seven Days
Act II
- 3The Precinct Photo
He appears in a picture of Nora’s own squad room.
- A squad-room group shot
- He is standing behind Nora
- 4The Photographer
- 3The Precinct Photo
Act III
- 5Overexposed
- 6The Last Frame
You make every call.
Nothing lands until you approve it.
You asked: Have him look into the lens.
Approved
Example
INT. COUNTY ARCHIVE — NIGHT
One is stamped 1974. The other was taken this morning.
In the back of both: the same MAN in a grey overcoat. Removed: The same tilt of the head. Proposed: Both times, he’s looking straight into the lens.
Every scene, to the last page.
Write scene one. The rest are drafted for your review.
Built for working writers.
The craft stays yours. The tools stay out of the way.
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Real screenplay format
Scene headings, action, character, dialogue and transitions, in 12pt Courier on US Letter pages.
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Export to PDF
A paginated screenplay PDF, ready to read, share or send.
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Version history
Save a snapshot any time. Switch back to any version without losing the one you left.
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Undo and redo, story-wide
Walk back through your creative changes as whole story changes, not single keystrokes.
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Lock what’s finished
Lock a scene and it is never overwritten. Edit by hand and it stays yours.
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Features, series, microdramas
Act structure for a film, episodes for a season, short episodes for a microdrama.
Finders Keepers
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